President Trump claims that his administration has turned things around, that the stock market is booming, unemployment is nearing at an all-time low, and that real estate values have recovered and are soaring in many metropolitan areas.

According to “standard” statistics, most of those claims are true. But, as always, there’s a bit more to the story.

One of the reasons Trump got elected is that the “forgotten” white middle class voted for him overwhelmingly. They did so for a very good reason. Since 2009, while the stock market and the earnings of the richest one percent of Americans have soared, the real incomes of middle class white Americans, adjusted for inflation, have actually declined 16% [at least according to the business section of The New York Times, while the earnings of middle class blacks dropped nearly 40%.

And, frankly, that understates the real loss of income, because modifications to the various measures of inflation, including the various iterations of the Consumer Price Index, understate the rate of inflation. That means that various forms of income linked to the CPI, such as Social Security, Medicaid, some private sector wages, etc., don’t keep up with inflation. Likewise, the measures of unemployment understate those who aren’t working because they don’t include the millions who quit looking.

Now that interest rates are beginning to increase, the costs of anything that’s financed are also climbing, such as housing and student loans. As for those soaring real estate values… in the areas where they’re soaring, they’re putting affordable housing for the middle class more and more out of reach, and in the areas where they’re still stagnant, people can’t sell houses, except at a loss, even if they want to move to where the jobs are.

What I find hypocritical about the situation is that Trump claims that he’s turned things around when the greatest beneficiaries of the “turnaround” aren’t the people who made the difference in the election, but the richest one percent. What’s even more ironic is that the Wall Street financiers who created the Great Recession of 2008 are among those beneficiaries, and interestingly enough, not a single one of them ever was indicted on securities fraud, while over eight million Americans lost their homes.

Now, Americans are free to vote for whomever they please, but it does strike me as odd that that they continue to support a president who’s fobbed them off with, on average for that income group, a few hundred dollars in tax cuts while he’s delivered million dollar tax reductions to billionaires and who have created virtually no new jobs for all of those semi-skilled white workers who voted for Trump. And what about all the farmers, who are losing money because of the retaliatory tariffs China placed on U.S. agricultural products?

But then again, as I’ve noted more than a few times, why would those people allow facts like that to get in the way of what they believe?

The other day I was going over some editorial corrections/suggestions sent by my editor, who was concerned that I was using too many long sentences with too many subordinate clauses. As I’ve always said, when an editor has concerns, a writer needs to listen, although sometimes what concerns the editor is only a symptom, not necessarily the cause. But I liked some of those sentences.

Still, I broke them up into smaller sizes… and then I realized something. Longer sentences, properly written, convey more information in fewer words than a series of short and direct sentences.

I recall that one of the ancient Roman writers apologized in a letter for its length because he hadn’t the time to make it shorter. Most people who cite this or similar observations miss the point. Making it shorter doesn’t mean breaking things up into little pieces, but rather making the sentences precise and as concise as possible in order to convey the information or feelings without unnecessary wordage.

Some people have difficulty reading long sentences, for various reasons. That, I understand. But… the danger in writing short sentences is that the paragraphs become jerky, and in a novel that can be even more distracting than long sentences. So, reluctantly, I aim for the middle, despite the fact that I believe longer sentences are not only more efficient, but also more elegant.

Are there times for shorter sentences? Absolutely, particularly if you’re writing a first grade primer, or a manual for employees or others with short attention spans and/or less than exemplary vocabularies. They’re also best for political slogans to stir up prejudices. And they’re often necessary for superiors who refuse to spend more than thirty seconds considering anything. Necessary, but not better, especially since condensation of complex issues often results in short-term actions that lead to longer-term disaster.

And, of course, short sentences are vital for misleading tweets… and demagogues who rely on simplistics to gloss over what they don’t understand or don’t want others to understand.

All of which is why I’m often skeptical of anyone, including editors, who insists that shorter is always better.

Apparently, some group vehemently opposed to the confirmation of Brett Kavanaugh has raised over a million dollars in campaign contributions to go to a future opponent of Maine Senator Susan Collins if she fails to vote against Kavanaugh’s confirmation. That wasn’t exactly the smartest idea, either legally or politically. [corrected version of earlier post]

First, it’s a form of bribery, and that’s illegal, and since Collins is a straight-arrow from Maine, she said it was just that and reported it to federal authorities, who are now investigating the matter, and it’s very likely that those who came up with the idea will face heavy fines, if not much worse.

Second, doing something like that is more likely to make a senator do the opposite, just to prove he or she can’t be bought.

Third, a million dollars is a handful of chicken feed in terms of political contributions.

That’s not to say that forms of bribery don’t exist. They do, but they’re all so indirect that it’s virtually impossible to prove. The simplest and most legal way to influence a senator is to create an “independent” political action committee that supports your political point of view. You can then contribute far more money than to any senator or representative and so long as your ads and activities champion or oppose ideas or laws, you’re generally in the clear. You can, as I understand it, even ask why a senator supports or opposes a given idea, piece of legislation, or law.

Variations on this theme have been pursued most vigorously by – surprise – conservative Republicans over the past two decades. They’ve poured hundreds of millions of dollars into organizations that champion their ideas and oppose those who don’t hold the same ideas, and the Citizens United decision essentially affirmed the legality of the idea.

From what I can surmise, one of the reasons why Democrats haven’t been as successful is that they’ve never been able to agree on a unified agenda that has wide popular and financial support, but until they do, over time, the Republicans are likely to be dictating the agenda, based on their ideas. And even out and out bribery, even if it were legal, wouldn’t help.

In the early 2000s, Judge Brett Kavanaugh was working to get then-President George W. Bush’s judicial nominations through Senate confirmation hearings. At that time Republican Senate aide Manuel Miranda hacked into files of the Democratic staff members of the Senate Judiciary Committee and obtained confidential memos, letters, and talking points. Those materials were routed to Kavanaugh. While receiving such materials was not an offense, lying about them under oath is an impeachable offense.

As part of his 2004 and 2006 confirmation hearings for his position on the U.S. Court of Appeals for the D.C. Circuit, Kavanaugh was asked under oath whether he’d received such materials. On both occasions, in replies to Senator Orrin Hatch in 2004 and to Senator Ted Kennedy in 2006, Kavanaugh denied receiving the documents or ever having seen them.

Yet this past week, a series of emails revealed that Kavanaugh had in fact received such stolen documents. When Senator Leahy questioned Kavanaugh during the hearings this past week, Kavanaugh’s reply was that it was typical for him to be told what Democrats planned to ask at hearings involving controversial nominees, and that this was in fact the “coin of the realm.”

As a former Republican staffer, I can certainly attest to the fact that hacking into the files of Democrats was not an accepted practice, and if I’d even mentioned anything like that, my boss would have had me on the street in minutes. The staffer who wrote some of those stolen memos and talking points has also publicly said essentially the same thing.

Yet it appears as though the Republicans on the Senate Judiciary Committee are not only moving to confirm Kavanaugh, but have no interest at all in disciplining a man who’s lied at least twice under oath. In addition, the fact that he’s lied under oath suggests that anything he’s said during his hearings should be taken with a barrel of salt.

Unhappily, we’ve elected people who’ve consistently lied, but isn’t elevating someone like that to the Supreme Court a bit much… even for the Trump Administration? Or the Republicans in the Senate? But maybe they really like Kavanaugh’s previously stated position that a sitting President can’t be indicted for crimes. I can’t say it surprises me, but couldn’t they at least have found an honest conservative nominee?

Late last month, Trump supporters were again chanting “Lock her up!” at a political rally, even though Hillary isn’t on the ballot anywhere. Republican campaign ads target House Minority Leader Nancy Pelosi. In Utah, the lone black woman Republican Congresswoman, as an incumbent, is fighting a tooth and nail battle against her Democratic challenger in a district that usually gives Republicans 65-70% of the vote. Might it just be because she’s black and a woman? Elizabeth Warren and Bernie Sanders have nearly identical political stands, but Bernie polls twenty points higher than Elizabeth.

Just what is it about Americans that prejudices them against women, whether in politics, the professions, or business?

Oh… the vast majority of people claim they’re not anti-women, but when it counts, as in salaries, votes, and getting jobs, the numbers say that a significant majority of Americans prefer men in the executive suite, in the professions, and in politics. Even when men and women hold the same job with the same experience levels, the majority of women get paid less.

On average, women still only make about 70% of what men make, and in some states it’s worse. Where I live, in Utah, although the percentage of married women who work is higher than the national average, women have lower average wages than women in any other state, and what’s more, last year their wages dropped an average of $1,000 from the previous year.

Studies have also shown that when companies receive identical resumes, except for the name, the resume with the woman’s name always gets less consideration.

And when women become the majority of individuals in a field, all of a sudden, the pay raises for everyone in that field slow down.

Now, one of the so-called rebuttals to these numbers is the claim that we’re better at not putting women down, that our medical schools don’t actually lower the test scores of women the way all the Japanese med schools were discovered to do, but then several years ago, in a fact since conveniently forgotten, several Ivy league schools were discovered to have been admitting men with lesser qualifications than women who were rejected, in order to have “gender-balanced” classes. I don’t recall anyone doing that for young women years ago when fewer women went to college.

I’ve noticed that there’s also a growing movement to help young men in school because they seem to be having more trouble with their studies. Maybe, if they don’t want to study, they should be the homemakers.

Just face it… too many men don’t like competition from women, and even some women don’t like competition from other women.

But most people still cling to the delusion that they’re not prejudiced against women, no matter what the facts and the votes show.

R. F. Kuang’s recently released novel – The Poppy War – has received a great deal of publicity and praise. It’s a remarkable book. It’s also an incredibly brutal book set in an analogue to the Song Dynasty that incorporates the issues of the long-standing conflicts of the Sino-Japanese wars, including a fictionalized, but not glossed, rendition of the Rape of Nanking; the legacy of the Opium Wars; the incredibly marginalized status of women; the roles of power and religion in society; the failure, unwillingness, or inability of the elites to govern fairly; and the inability of the people to hold those elites accountable.

While most reviews have centered on the use of a Chinese-centered cultural and political background, and a very-well researched and presented one at that, and the protagonist, who is an orphaned girl from the lowest possible status in the most despised backwater who is driven to succeed at any cost in her efforts to right all manner of past wrongs while justifying her very existence and her right to be heard and respected, what struck me most about the book was how Kuang used the accuracy of Chinese history to present a fantasy story and a tableau that represents current global challenges in a stark and bleak way, that in a strange fashion, is far more dismaying than George R.R. Martin’s Game of Thrones. I say “strange” because, while Kuang doesn’t pull any punches in depicting the total inhumanity of both sides, the ineptitude of those in power, and, also, the unwillingness or inability of the “masses” to rein in their ruling classes, neither does she glorify or exaggerate. It all just is.

Whether she meant it or not, in the ending of the first book, she’s also posited a damning view of deities and religion, and of their believers and followers, but that’s an open question, because the remaining two volumes of the trilogy have yet to be published.

The Poppy War is not a book for the faint of heart, or for young readers, and it’s definitely not a “fun” read. And if American chauvinists read it, they’ll likely either see it as just an improbable Chinese fantasy or something that “can’t happen here.” Unfortunately, as American and world politics have changed, or perhaps reverted to the worst in history, it strongly appears that they’re wrong on both counts.

But, most likely, those who understand history will wince slightly, then nod, and those who don’t will think that these kinds of events only happen in other lands. It’s still a remarkable book.

Quite a number of writers have a successful first book, possibly even a second… and then fade into obscurity. There are several reasons for this. The first is obvious. The fact is that later books often just don’t sell as well, either because they aren’t written as well or because they just don’t hold the readers. From what I’ve observed, publishers will publish books that even editors aren’t that fond of, or decent books where the author is a real pain in the ass – if they sell. They’ll also continue to publish books that get great reviews and that editors like, even if the sales are disappointing, but just not disastrous. But if an author is obnoxious and the books don’t sell that well, usually that author’s career with an established publisher is rather short.

But there’s another reason why some authors fade after a few books. Some authors never truly understand the lead-time problem. These authors, from what I’ve observed, share similar circumstances. They wrote a book, often working on it for some considerable time. Then it sells, and they get the advance, usually in halves [on signature and on publication] or thirds [on signature, on acceptance of the final manuscript, and on publication]. What many fail to recognize is that this may be the only money they get, because, if the sales aren’t good, the royalties won’t exceed the advance, and the advance is just that, a non-returnable advance against royalties.

This means that a writer had better start working on the next book immediately after finishing the first one – or resign himself or herself to staying at the day job forever. Publishers really want the next book in hand or close to being in hand by the time the first book is published, usually about eighteen months after it’s accepted by the publisher. Yes, a few authors do flout that convention and expectation and get away with it – but only because their first book continues to sell, and that only happens, so far as I can see, in less than once in a hundred times.

Part of this inability to recognize this situation, I submit, is that computers and the internet have fostered the idea that everything can be accomplished faster. And that’s true in part for writers. Having a computer file available as the basis for re-writes and revisions makes that part faster, but it doesn’t speed up writing the first draft that much from writing on an electric typewriter. Since I wrote my first books on electric typewriters, and likely remain among the comparative handful of writers still writing who did, I can assure you that that the computer makes revisions and re-writes much faster and easier – but that the computer only speeds slightly that first draft.

So… if you’re fortunate enough to sell that first book, do not pause; do not relax and celebrate for more than a few days before you get back to writing. You don’t want the editors or your few fans [and most beginning writers only have a few fans] to forget about you.

I never knew John McCain personally, although we certainly could have met. We were both Naval aviators, but I got my wings only months before he was shot down over Hanoi, and I later worked as a Congressional staffer, including duties involving the House Armed Services Committee, while he was the Navy liaison to the Senate. But in the Navy he was a jet pilot, and I was a helo driver, and we were stationed in different places, just as our coinciding times in Washington, D.C., involved different spheres and duties.

For all that, John McCain embodied many of the characteristics I’ve done my best to depict in my heroic protagonists. He made mistakes, often large ones, but he learned from them and persevered. Regardless of mistakes, in his Naval career and his personal and political life, he put his beliefs in the kind of country the United States can be and should be at the forefront and continued to persevere in working toward improving it. Sometimes, I had doubts about the approaches he took, but no one should ever have doubted his desire to better the country or his dogged determination against obstacles that would have destroyed a less motivated and determined man.

Among Republicans, I see no political figure even close to filling his shoes, and I have doubts that there ever will be one in the next decade. Ill as he was, even last month, he stood up to Trump while most Republicans either fawned, equivocated, or changed the subject.

Did I always agree with him? No. Was he perfect? Far from it. But I’ll take one John McCain over all the burnished politicians with seemingly few flaws, no real core, and only the ability to get re-elected by essentially standing for nothing, mouthing whatever will get them votes, and ignoring the challenges that face our nation.

In past blogs, I’ve talked about the problems created by the willy-nilly unaccepting push to adopt new technology and new software simply because it’s “new,” and new must be better. But there’s a situation where “early adoption” is not only counter-productive, but the negative effects can be far-reaching.

Needless to say, as is often the case, I heard about this instance from my wife the music professor. Her institution has decided that, following the example of several private and very well-endowed universities, that the music department should require all incoming music students to purchase customized IPads that can display what used to be called sheet music. The rationale behind this is that students won’t have to carry around reams of music; all of it will be displayed on their IPads.

At a state institution such as the one where my wife teaches, the department budget won’t cover the estimated $800-$1,000 for each of the special IPads, and most of the students are drawn from rural and small town or working class backgrounds with large families, for which such an outlay immediately on entering college will be quite a burden, especially if the student drops the major. This cost, of course, was ignored in the enthusiasm of “new technology” and the thought that the department could be a “pioneer.”

And, yes, this approach could be a boon of sorts to students in orchestras and bands and other large ensembles, all of whom have a comparatively limited number of works performed in a year, and the instrumental ensemble directors were all for it, effectively insisting that one approach fits everyone. Unfortunately, vocal students face a different situation… because every vocal student has a largely different repertoire from every other one, and must learn more new music every semester, especially if they’re classical performers. Music departments, and especially universities with schools of music, may be dealing with at least 30-50 students, and often hundreds of voice students. That requires music for thousands of individual pieces. While the idea of consolidating all that music in electronic format sounds wonderful, the reality of the situation is far different. My wife the professor, who has a wide range of contacts, got in touch with several music publishers, and all of them made, in various ways, the observation that, at present, only about twenty percent of the vocal music they controlled and had as sheet music was available in electronic form, and that it would be between five to ten years before they’d be able to catch up, given the volume of such music. And that’s probably an optimistic projection.

Now… that doesn’t mean that the students couldn’t scan the sheet music and upload it, but… then there’s the problem of copyright, and for the music to be “legal,” the student needs to keep available the hard copy. This is also a problem for those students entered in various competitions, because they have to have produce “original music” for every piece that they sing, and in some competitions, two copies, one for the singer [even though the singer has to sing from memory, because the singer is supposed to have bought the music, rather than copied it and stiffed the composer] and the other for the accompanist.

Since the most accomplished students, those aiming at a career as either a performer or a teacher, need to prove their ability through competitions, and since those organizations sponsoring the competitions have not yet made provisions for certifying “original electronic” copies, the IPad requirement becomes superfluous and expensive at the present time, at least for vocal students.

In addition, because voice students are largely broke, the IPad requirement is going to encourage even more copying of music, and more copying is going to reduce even more the payment living composers receive, while encouraging singers to sing older works no longer in copyright… and thus further reducing income to living composers.

Then, too, there’s the question of what happens when the accompanist’s IPad crashes during a performance or recital. Sheet music doesn’t crash.

I’m not against change, and neither is my wife, but history shows [even though most people don’t learn from it] that early adoption of new technology can be far more expensive, to everyone, than waiting a bit until things sort themselves out.

But then, you can’t claim to be the great pioneer, while putting the costs off on everyone else.

Over the years, I’ve embarked on more than a few airline flights, the vast majority of them for business of one sort or another, and it’s interesting to consider what’s changed… and how.

The most obvious change, as a result of nine-eleven, is that flying now takes considerably longer than it once did. That’s the result of several factors. First, because fuel economy is a priority, the majority of jet airliners now cruise at speeds slightly slower than they did a generation ago. Second, security procedures add significantly to travel times for the individual traveler. Third, because planes are always full, have less spacious seating, and because most airlines charge extra for checked baggage, it takes longer to board and disembark [unless you’re in first/business class] because there’s never enough space for all the carry-on bags. Fourth, because of the volume of air traffic and the hub-and-spoke airline model, there’s a lower percentage of direct flights, except on high-volume routes, and more connecting flights.

At the same time, in real dollar terms, flying is, overall terms, somewhat less expensive than a generation ago, and the noise level is slightly lower.

I’ve also noted a general improvement in the availability and quality of food establishments at the larger airports, possibly because more people are stuck there longer.

But one of the biggest changes that I’ve noticed involves travelers themselves. Once upon a time, people used to talk to other people on flights. Today, it seems to me that the majority of travelers don their earphones or ear-buds and retreat into one form or another of electronic unreality.

Over the years, I’ve encountered a variety of people in the adjoining seat, or while waiting to board, some in fascinating professions or with intriguing backgrounds, such as the electrician whose specialty was working on powered high-voltage lines and equipment, various dead-heading pilots, the B-budget movie actress, the Iranian-born doctor who came to the U.S. as a child, the Charolais cattle breeder and rancher, and the former judge who ended up in a second career involving the film industry and politics.

And I wouldn’t have heard their stories or learned some interesting facts if I’d been wrapped up in electronics.

As most of readers of my website know, I try very hard not to make negative comments about books that I’ve read. If I don’t like a book, or don’t find it good, or even if I don’t find it as good as the rave reviews given by others… I just don’t mention it. I also have to say that just because I haven’t mentioned a book doesn’t mean it’s not good. It also might mean that I haven’t read it, because my reading time is limited.

That said, I’m getting very tired of reviewers, particularly online reviewers, who feel that they have a “duty” to warn people off of the books that don’t meet their criteria. I don’t have a problem with those reviewers, few as they are, who will say that a particular book is well-written, but not their cup of tea, so to speak, but there’s enough negativism in the world today, and it’s hard enough to find really good books, that it seems like a waste of time to point out books one doesn’t like, especially since a great number of such negative reviews, I’ve noticed, often seem to reflect a particular reviewer’s dislike of a specific author, usually an author that other readers and reviewers like and read.

Now… one could say, and someone will at least likely think it, that I’m being hypocritical because I can be very negative about politicians, but there’s a huge difference between authors and politicians. We all have to live under the laws promulgated by elected officials, or we might have to live under rules they propose. No one has to live under the policies or laws I hypothecate in a novel, and no one has to buy any book I, or any other author, may write.

Also, given the ever-increasing number of books being published, it’s far more helpful — at least it seems that way to me – to see recommendations about what to read as opposed to what not to read. Then again, maybe that’s just my mindset, but when I read a negative review about a book, my initial reaction is to wonder what’s wrong with the reviewer, not the book, possibly because I want to like and enjoy every book I pick up.

Again, maybe I’m greatly mistaken, but it seems to me that most people are more interested in knowing what’s good and enjoyable than what’s not.

A significant segment of U.S. media is upset, and rightfully so, that President Trump has called members of the media “the enemy of the people.” I’m anything but happy about this turn of events, but I have a question or two for all of these righteous media pundits who are now so outraged that, all of a sudden, they’re the main target for once:

What the hell did you expect after some three plus decades of fomenting conflict through news stories designed to outrage some group or another in order to keep your ratings up?

What did you expect when you turned news stories into profit centers based on entertainment value instead of comparatively moderate and less profitable news outlets?

Now that you’ve successfully polarized the American public and effectively made possible the election of, first, a movie star as president, and now a reality T.V. star, did you ever consider the fact that some of all that anger and rage you’ve stirred up just might come back to bite you?

Do any of you intend to take any responsibility for the results of your years of media bread and circuses, or are you just going to stand there and wring your hands, while continuing to maximize the bottom line?

Or do you intend to blame it all on others, on the popular appetite for sensation, or the need to make a buck to keep your executive bonuses, or on popular boredom with factual and balanced news?

Or will you try to take refuge behind the First Amendment, while ignoring the fact that the skillful presentation of accurate facts in an inaccurate context amounts to distortion and lying?

My grandmother was a teacher, and one of her pupils of whom she was inordinately proud was Walter Cronkite, as were many Americans. Are you pleased with where news has gone since Uncle Walter, Tom Brokaw, and Howard K. Smith?

Or did all of you think you could avoid reaping what you’ve sowed?

Now that Trump has called at least some members of the media “the enemy of the people,” it’s apparently time for another refresher course in history, especially since far too many Americans have a tendency to ignore history. That tendency, unhappily, is not new either. The great Henry Ford has been quoted as saying, “History is bunk.”

History may not repeat itself exactly. It may not, at times, even rhyme, as Mark Twain put it, but history does offer lessons, and one of those lessons is that any attempt to muzzle the press, or the media, is the mark of an incipient tyrant. Such efforts are not new even in the history of the United States. When John Adams was president, the Alien and Sedition Acts were employed to punish writers and presses that criticized the Adams Administration. One Congressman wrote and published an article decrying the “ridiculous pomp, foolish adulation, and selfish avarice” of the administration, and was punished by a hefty fine and four months in jail. And he was far from the only one prosecuted for criticizing the government.

In the end, of course, Adams’s use of the acts was one of the factors that led to his defeat in the next election by Thomas Jefferson and the repeal of most of the acts.

Regardless of how aggressive or even scurrilous the media attacks on the President may be, history shows that political leaders who try to curb the media critical of them all too often do so as the first step toward aggrandizing themselves or even as the first step toward using government to destroy the ability of their opponents to speak so that such political leaders can obtain greater and continuing power.

Trump has every right to complain about how the press treats him, whether such treatment is accurate and fair or whether it is not. But under the First Amendment, even the President does not have the right to censor his critics, nor should he be equating criticism against him to being an enemy of the people.

Besides which, there is the very real question of “the enemy of which people?”

Trump is essentially claiming that anyone who doesn’t agree with him is an enemy of the people. Not only is that a highly polarizing view, but those of us who don’t agree with many, if not most, of his policies, are not enemies. We’re citizens as well, and citizenship brings with it the right to criticize.

Let Trump defend his policies on their merits, but not by personal attacks on those who oppose him. That’s just using the power of the presidency to bully others, and it also directs attention away from the policies themselves.

But, that too, is a well-known historical tactic of dictators and demagogues, a tactic forgotten or ignored, because too many people think history doesn’t teach anything… or don’t believe it, which may be why 43% of all Republicans believe that the President should have the authority to shut down “misbehaving” media outlets.

I don’t know about the rest of you, but when nearly half of a major political party believes in censorship by the President, to me, that’s frightening.

For some time, I’ve had a sneaking suspicion that some readers who proclaim their love of science fiction don’t really love science or SF that actually relies on science. What they love are the gadgets, the faster-than-light travel, the blasters or lasers, the AIs that think like people and not like artificial intelligences. And many of these people seem to get upset if science gets more than a passing mention.

Now… I know. I’m the one who has, for years, railed about writers who don’t write about people, or whose characters are cardboard propped up by in-depth and very realistic science that goes on for too many pages. And I’ve called that segment of the genre technoporn.

But there should be a middle ground [yes… I’m once more advocating for middle ground and moderation in a society that is ever more polarized] where science is a real and tangible part of the fiction, but enables or restricts the acts of the characters in the fashion that it does in “real life.”

When I wrote Solar Express, I knew that there would be a segment of readers who didn’t like the fact that the two main characters communicate through what is essentially a future form of email. And some readers did object, not as many as I feared, but I wasn’t restricting my characters artificially, or because I was being old-fashioned, but because even speed of light communications don’t work in real time much beyond the orbit of the moon because of the time delay. The Earth is roughly eight light-minutes from the sun, and that means a 16 minute delay between sending a message and getting a reply. I also limited the technology to what we know is theoretically possible… and potentially affordable.

But I’m seeing a growing number of readers who aren’t interested in the slightest in science, and who object if even a hint of real science lasts more than a sentence.
Some readers will likely say that’s fine if the book is set in a future where the plot doesn’t rely on science, but unless we’re talking post-apocalyptic societies with lower technologies, the science should at least be semi-realistic. And, if the writer is dealing with a plot relying heavily on science and technology, some of that needs to leak out in passing, enough so that the “science” isn’t just another form of “hand-wavium.”

Science has great possibilities for speculative fiction, but real science also has considerable limitations… and high-tech science is incredibly expensive. The Navy attempted to come up with a truly futuristic warship in the U.S.S. Zumwalt, but the advanced guns required ammunition that cost almost a million dollars for each projectile. Just 2,000 rounds would have cost almost $2 billion.

So… death stars are really nifty, but no realistic empire could ever afford to build them, and most of the weapons wouldn’t work, and certainly not the way they’re depicted. All of which just may be why there are fewer and fewer authors who even attempt realistic SF, and why so much of what passes as hard SF is really science fantasy, but which very few readers or writers want to admit.

For those who are fortunate enough to have missed the latest kerfuffle involving the World Science Fiction Convention, this year, when a preliminary program was posted, there was an uproar.

Why?

Because, from what I can gather: (1) a number of authors who had been nominated for World Science Fiction Awards (the Hugos) were not even on the program; (2) at least one individual whose gender remains a mystery to me and who had been listed on the program was greatly offended because some convention volunteer had changed that individual’s gender to masculine; (3) too many white straight males and a few too many straight white females were on the program and apparently too few people of various colors and genders were not [I’m writing this on what was reported, because the first program was taken down before I ever saw it.].

Several years ago, there was a movement at WorldCon by the “Sad Puppies” to try to outvote “the regulars” because the Sad Puppies felt that the regular attendees were pandering far too much to diversity in nominating writers for awards and that “diversity criteria” outweighed story content and quality. This year, it appears, that the diversity crowd was outraged because they felt marginalized.

In short, it seems that in nominating writers for awards, and granting recognition in terms of being on the program, some group is always outraged. I’d be among the first to say that no individual or group should be excluded or marginalized because of color, creed, ethnicity, sexual orientation or lack thereof, or choice of topic. By the same token, no one should be included just because of those characteristics. The focus should be on what is written, not who wrote it… or who didn’t.

Years ago, Betty Ballantine, the co-founder of Ballantine Books, was reputed to have said that there was more than one kind of award, and that one award that was so often overlooked was how many people actually read a book. Tom Doherty, the founder of Tor Books, has offered similar words.

The Hugos are represented as acclaiming the best F&SF published the previous year. They don’t exactly do that. They represent the judgement of those WorldCon attendees who choose to vote as to what is the “best.” Nominations require that the nominator be a member of either the current WorldCon or the previous WorldCon, but only those who have purchased a membership for the current year can vote to choose which of the top nominees will win.

The number of WorldCon memberships can vary greatly from year to year, from as low as perhaps 3,500 to the 10,000 range [which is rare], and the winners rack up only a few thousand votes.

Now… consider the size of the F&SF readership market. Last year, in the U.S. alone, over twelve million F&SF books were sold, and major publishers and well-established independent presses issued roughly 2,000 different titles. There’s no truly accurate way to establish how many self-published titles were issued, but I think it’s unlikely that, at most, more than a few thousand titles sold more than a thousand copies, but that’s still at least another million or more books sold. The website of the Science Fiction and Fantasy Writers of America has more than 43,000 followers, and I know literally at least a score of writers I strongly suspect have sold more than 100,000 copies of one or more novels. All of the Harry Potter books sold at least in the tens of millions. Since it’s unlikely that most of the buyers bought more than one copy, this suggests to me that there’s a very active U.S. F&SF readership that well exceeds 100,000 and by quite possibly quite a bit more.

All of that means that, while getting a Hugo gets an author certain bragging rights, it doesn’t mean that other books may not be better. It just means that a majority of the few thousand attendees thought the Hugo winner was better than the other nominees. Even professional editors in the field and critical literary magazines disagree over what’s “best.” I know of quite a few F&SF books cited by Kirkus Reviews as “best books” of the year that didn’t even make the Hugo nominees listing.

So… who gets chosen for Hugo awards and representation on panels is still a very subjective matter, depending on where the convention is held and, frankly, to some degree, what writers, topics, and treatments are the “flavor of the year” and what are not… all of which tends to get overlooked in the on-going hullabaloo.

In the end, time will sort out what books endure as good or great, and which are not… at least mostly, because, upon occasion, even time is unfair… and that’s something all of us, writers and readers, should remember.

From what I can see politically, the hard-core Republicans who largely control the Republican Party are more and more worried about the increasingly liberal Democratic Party, and, as a result, are nominating more and more ultra-conservatives, looking for ultra-conservative judges, and doing their best to disenfranchise voters whose districts or ethnicities suggest they might be more liberal. These trends are the result of fears that the “white” and business-oriented culture will be marginalized, and even “socialized” if the Democrats gain power.

In turn, among the Democratic Party, there is a growing liberal groundswell, fueled by a growing hatred of ultra-conservative and discriminatory Republican policies and attitudes, and by a long and barely suppressed anger at Republican tactics they see as oppressive and discriminatory toward minorities and the poor, and benefitting only a tiny percentage of the American people, the richest one tenth of one percent. As a result, more moderate Democrat politicians are being defeated in primaries or being pushed out.

The result of these trends continuing can only be increasing polarization of the U.S. political system. For the first time in a century, and possibly much longer, according to the Pew Research Center, the number of Democrats and Republicans claiming to have a “very unfavorable” view of the other party have now reached nearly 60%, and 45 percent of Republicans say that Democratic policies threaten the nation, while 41 percent of Democrats think the same of Republican policies.

A Rasmussen poll claims that nearly half the population thinks that a civil war is likely in the years ahead.

Why?

I’d submit that the answer lies in the very human tendency to double-down on cherished beliefs when one is fearful or feels threatened. And right now, lots of Americans feel threatened because, due to rapid changes in technology and economics, we live in a very uncertain time. Less educated white males have seen their economic status and future possibilities dwindle. Minorities and ethnic groups chafe under what they perceive as continued economic and political discrimination, and that feeling is reinforced by Republican efforts to make it even harder for them to vote. The Me Too Movement has pointed out gross gender discrimination, especially by white males, as well as continued underpayment of women in the same positions as men. Industrial automation has cost the nation millions of higher-paid semi-skilled jobs, replacing them with high tech equipment operated by far fewer higher-skilled employees. More education is needed for almost every decent paying job, but the cost of that education has skyrocketed while middle and working class incomes have stagnated. Even the weather is getting more uncertain.

These are just the leading causes of uncertainty, and far from a comprehensive listing, but the political result is that people cling more desperately to core beliefs, even when doing so is only going to make matters worse. Higher technology and climate change aren’t going away. Neither is a global economy. Nor are the concerns of people who’ve been discriminated on account of race, color, creed, or gender. And doubling down on either “business is the only answer” or “more government is the only answer” or “less government is the only answer” or any number of simplistic slogans is only going to make matters worse.

But for all that, simplistic slogans and beliefs continue to prevail, trumpeted by no less than the President.

After CNN reporter Kaitlan Collins persisted in asking President Trump questions he didn’t want to answer, press secretary Sarah Huckabee Sanders and communications chief Bill Shine told Collins she could not attend the Rose Garden event with the European Commission president which was open to all other members of the credentialed media, because Collins’ previous questions were “inappropriate.”

Presidents often don’t like the questions posed by reporters, and they can certainly chose not to answer, but for Trump or his staff to single out one reporter because the President didn’t like the questions is a rather chilling precedent.

During the Obama Administration, conservatives were upset, rightly so, because that administration investigated reporter James Rosen for apparently reporting on leaked material from the State Department. But Rosen wasn’t banned from covering the White House.

The fact that the Trump White House clearly went too far in banning Collins from the Rose Garden was illustrated by the fact that not only were “liberal” media outlets outraged, but so were conservative outlets such as Fox News

The President spends an immense amount of time and Twitter complaining about “fake news,” yet he not only refuses to answer questions on current news, but he bans the reporter who asks them? This is behavior more like third-world dictatorships or Putin’s Russia.

So… is Trump going to ban every reporter for pushing “fake news” if they ask him embarrassing questions that bear on ongoing investigations? Or other matters we should know about?

How many times have you heard that phrase or something similar… or used your mouse, thumbs, or fingers – or Siri – to look up something you likely should have known… just to make sure… or because it was easier.

That’s fine for simple facts, or even simple numbers, but in most occupations there are methods, systems,techniques… and facts… that a professional in that field needs to know cold – absolutely cold, without having to look them up.

A number of years ago, my wife almost died while emergency room physicians were looking for causes of her incredibly painful symptoms and trying to figure out what was wrong. She was extraordinarily fortunate. The senior surgeon on call arrived and took less than a minute to diagnose that she had a ruptured colon and that she was in septic shock. Even so, it took three major operations and eleven months before she fully recovered. If we’d had to rely on people looking up things, I’d be a widower today.

I was once a Navy pilot. You have to know instinctively a wide range of emergency procedures when something goes wrong. You don’t have time to look them up.

Now, in other professions, it’s not necessarily a matter of life and death, but a matter of time…. Or perhaps keeping your job. Professional singers, especially musical theatre and opera singles, who do live concerts have to learn the music. You can’t carry a score around and sing from it.

One of the things I learned early on as an industrial economist is that there are numbers… and what those numbers mean, really mean. Later on, when I was doing environmental consulting, and looking at epidemiology exposure studies, in one case where I was hired, most of the studies only used either arithmetic or geometric means to represent the exposures. No one seemed to look at the frequency distribution of exposure levels – and they showed a very different picture, essentially that exposures above a certain level had very adverse health effects, and that below that level the effects weren’t discernable, but because the numbers of workers in the plant who were exposed to high levels were very small, and the numbers with low or minimal exposure were far larger, using any kind of mean effectively showed that the health risk was acceptably low. Yet there was no mention of this in any of the data. Everyone was arguing over setting the level of “mean exposure.”

The danger I see today with students is that a great many of them have an attitude of “why do I have to learn that when I can just look it up.”

The problem with that attitude is that, in any professional field, there is information that professionals need to know on an on-going and instant basis to do their job and before they can learn more in order to do their job better.

And “Googling it” just doesn’t cut it.

The other day I came across a magazine ad with the heading of “Attraction Is Only Natural,” a picture below, and the following language:

“The [XXXX] instantly draws you in. And with the instant access to information and entertainment via the intuitive Touch Pro Duo dual touchscreen infotainment system and state- of-the-art sound provided by audio experts Meridian, every journey becomes an immersive, first-class travel experience. You’ll find your preference for the new [XXXXX] is only natural.”

I’m not cherry-picking the text. This was the only text accompanying the graphics, except for the product name, which was Range Rover. The Range Rover may be a luxury SUV, but it’s still a vehicle whose ostensible purpose is transportation, not entertainment.

By the same token, the ostensible purpose of cell-phones is communication, but virtually every new bell and whistle on them seems to focus on entertainment.

Likewise, media news programs focus on entertainment and outrage [which is another form of entertainment]. These days, teachers, especially college professors, are urged to “keep student interest,” which is effectively code for “keep them entertained, no matter if it requires dumbing the curriculum down.”

And this focus on entertainment has a far higher cost that most people really want to acknowledge. For example, over the last decade, texting and walking has caused over 11,000 injuries and deaths, according to the National Highway Traffic Safety Administration (NHTSA). NHTSA figures also show that, every day, nine people are killed and 1,000 are injured by distracted drivers, most of whom are texting or using in-car entertainment devices.

Another lesser cost, but one that is still considerable, is the use of business computers to play games or to access Facebook and other social media. That just might be another reason why businesses are trying to automate more jobs.

And certainly, the news media’s emphasis on entertainment value may have helped their bottom line, but it’s definitely not helped our political situation or public understanding.

Entertainment has its place, but not in everything. Not if we want to survive as an educated, productive, and self-governing nation.

Trump has now declared that “Much of our news media is indeed the enemy of the people…” In short, any media story or outlet that criticizes him or the actions of his administration is an “enemy of the people.”

Trump is far from the first sitting president to be savaged by the media. Thomas Jefferson loathed newspapers, and he observed that the mass of people “have no means of distinguishing the false from the true paragraphs of a newspaper.” At the same time he fervently believed in a free press, stating that: “Our liberty depends on the freedom of the press, and that cannot be limited without being lost.”

Benjamin Franklin stated, “Whoever would overthrow the liberty of a nation must begin by subduing the freedom of speech.”

On the other side of the coin, in 1914 the German author Reinhold Anton coined the term “Lugenpresse” [lying press] to refer to enemy propaganda. Twenty years later Adolph Hitler resurrected the term in his attacks on the press. Hitler also stated, “It is the press, above all, which wages a positively fanatical and slanderous struggle, tearing down everything which can be regarded as a support of national independence, cultural elevation, and the economic independence of the nation.”

Trump has taken, whether inadvertently or deliberately, the propaganda strategy adopted by Hitler and his Minister of Propaganda, Joseph Goebbels. As Goebbels stated, “A lie told once remains a lie, but a lie told a thousand times becomes the truth.” Goebbels also said, “…the rank and file are usually much more primitive than we imagine. Propaganda must therefore always be essentially simple and repetitious.” In addition, he pointed out, “Think of the press as a great keyboard on which the government can play.”

In something like two years Trump has raised the public distrust of the press to a level where, depending on the poll, between forty and seventy percent of Americans distrust the news media.

Last month, a poll from Axios found that seventy-two percent of Americans believe “traditional major news sources report news they know to be fake, false, or purposely misleading.”

A Gallup poll released this week found that 44% of the national sample polled found the news inaccurate and 62% stated that it was biased. Interestingly enough, the poll also found that just 48% of Republicans say they use fact-checking websites when they encounter information they suspect is false, compared with 72% of both independents and Democrats.

So… is this just a phase, or does Trump intend to destroy faith in the news media or his own ends? And do most Americans really care?