West of Cedar City, on land grazed by herds of sheep in the not-too-distant past, apartment and condominium buildings are springing up seemingly everywhere. That’s unfortunately not too surprising, given that last year Iron County tied for the fastest county population growth in the state of Utah. And those numbers understate the actual number of people, because the enrollment at Southern Utah University has doubled in the past 11 years to almost 16,000 students, and most of them (roughly 70%) don’t come from Iron County/Cedar City.
One aspect of all this home building I find most interesting is that, from what I can tell, over 80% of those apartments/condominiums are constructed of pseudo-stucco, i.e., a thin layer of mortar over one half inch OSB (Oriented Strand Board) clad in Tyvek (waterproof plastic). In my opinion, this isn’t exactly terribly permanent, but this growing impermanence in housing mirrors impermanence elsewhere.
This is especially true in the book business. I have a collection of mass market paperbacks, many of which are over forty years old. Some of them are a bit fragile, admittedly, but they’re readable.
On the other hand, since my publisher went digital, I’ve created back-up files for each book in place of hard copies. The only problem is that many of the back-up files are essentially “lost,” since the earliest were on thin floppies, the next were on 3 ½ inch hard floppies, the next on CDs. I never kept the older computers for obvious reasons. All of which means that, effectively, those fragile paperbacks are outlasting the electronic formats.
As others have pointed out, at least some of the data and records from the Mercury and Apollo space programs has been “lost” because the systems with which to read that data have been replaced by newer systems using totally different codes.
Somehow it seems rather amusingly odd that someone can read the words and songs of the Sumerian poetess/priestess Enheduanna written some 4300 years ago on a clay tablet, but more and more data and history are being recorded on electronic media that will vanish far sooner, either from power failures or planned obsolescence. One of the greatest cultural losses is likely to be in the area of classical music where the failure of the copyright system means that thousands of works are slowly moldering away because few have the time and/or resources to preserve them, and even those preserved “electronically” won’t last that long.
As for the semi-temporary apartments springing up everywhere, in the global scheme of things, they’re no great loss – except to whoever owns them when they collapse or are demolished in the comparative near future.




