Your Questions for the Author Answered

January 8th Question

In the Forum back on Tue Feb 10, 2004 1:12 pm you answered the question, in part: “The idea underlying the book (Gravity Dreams) was my thought about the difference in societies, i.e., how some societies evolve out of tribal and geographic identities while others are value-driven.” When I read your reply I tried to find history of a society which had evolved on a value-driven basis. I became somewhat confused by the more common evolution of a group based on ideological beliefs but none that I would call value-driven. Indeed, leaders with Core-values, i.e. fixed beliefs, which sounded to me like ideology. I thus have the question: would you please indicate one or two societies which evolved because they were value-driven? I suspect one might be the United States; another might be Ashoka the third Mauryan Emperor of Magadha in the Indian subcontinent who devoted himself to the propagation of “dhamma” or righteous conduct after (260 BCE),when conquered Kalinga after a brutal war.

The United States is indeed an example of a society founded on values, rather than having its values evolve from geography, tribalism, or religious beliefs. But so far as I can determine, all societies reflect values. I have to admit I’m at a loss for another example of another society consciously founded on a set of secular values, although my statement back in 2004 assumed that there must be others.

January 5th Question

In the world of Recluce, healers are nigh-universally associated with green. Unlike with order mages and chaos wizards, this does not appear to be the result of association with the actual magic/metaphysical system of the world. My general theory is that Anglorian medics wore green and given the lasting impact of Cyadoran culture the association just stuck everywhere, but I’m curious if there’s something else behind it.

Frankly, I hadn’t thought of your explanation. My feeling was that so often green is the color of life and healers’ duty is to preserve life. Of course, both your and my explanation both fit.

December 15th Question

Will you do more on the Grand Illusion ?

I’m seriously thinking about it, but if I do, there won’t be an immediate sequel to Contrarian, because not much “interesting” will occur in the lives of Stefan and Avraal for the next several years. Once I know for certain, I will let readers know.

December 10th Question

Why did Geuffryt send Viktor a message warning him about Rhennthyl, while also using the “explosive” to get Rhennthyl to examine the bank records? Was Geuffryt trying to maneuver Viktor into killing Rhennthyl?

Yes.

December 9th Question

After many re-readings of Imager’s Intrigue, I have to confess that I’m confused about the Kearyk subplot. Kearyk can’t have been part of the plot because he was complaining to the chalker about the missing page of the ledger. I’m not sure who made the forged page of the ledger, and why.

I probably didn’t make this as clear as I could have. Vyktor D’Banque D’Ouestan was a tool of Sea-Marshal Geuffryt. While Geuffryt was Kaeryk’s lover, Vyktor was often the go-between. Vyktor had Kearyk replace an entire page to cover an entry that would have revealed that Vyktor was a Ferran agent. It was never about the hundred golds, which were a blind to cover from whom a different payment was received, because the numbers still balanced. Kearyk was worried about the missing blank page because that might have revealed that more than a hundred golds was in question. Vyktor didn’t care if it got Kaeryk in trouble because he was going to kill him anyway, and the drowning “covered” the other change.

December 6th Question

I’m writing to inquire where you feel the Grand Illusion series going next. I’d love to have another book with Stefan, but I get the feeling you feel that story has gone as far as it needs to.

If… if I did write another story about Stefan and Avraal, it would have to be at least a decade farther into their future. At present, I’m not ready to write such a story. I am considering a prequel novel, but that’s all I’ll say at the moment.

December 2nd Questions

I have two questions from reading “Recluce Tales.” First, “Heritage” reminds me that there seems to be a contradiction between Hamor being an empire in Lorn’s time and a hodgepodge of duchies when Cyador falls. I’ve always admired how your story lines are internally consistent across widely separated arcs, but this seems hard to reconcile. How do you explain this seeming inconsistency? Second, you write that your editor has pleaded with you over the years to not write the story of Cyador’s founding. Why not? Thanks.

How about the idea that, as in the old and new kingdoms of ancient Egypt, there was an empire in one time, a disintegration, and a rise of a new and stronger empire later?

David Hartwell was my editor at Tor for more than thirty years, and he felt strongly about the matter. Even after his death several years ago, I respect his judgment. The next four Recluce books, however, will deal with the period beginning roughly eighty years after the rationalist landing on the world of Recluce. That’s likely to be the closest I’ll get to the founding — except for the short story entitled “The Vice-Marshal’s Trial” in Recluce Tales

November 30th Question

Have any of your books been optioned for movies or tv? Would love to see Recluce or Imager books on TV or in the theaters.

Over the years I’ve had a few inquiries about whether the rights were available for the Recluce books (which they are), but nothing has ever come of the inquiries. So far, I’ve never had any inquiries at all about the Imager Portfolio.

November 8th Question

Have you thought about a Recluce novel where two characters that can use a glass for far-seeing, send each other messages over a long distance by painted signs seen through the glass?

Actually, I’ve thought about it several times over the years, but decided that the “resolution” issue would make it too difficult to be practical. By resolution, I’m talking about the ability to see characters or symbols in a glass clearly… and that doesn’t even take into account lighting problems or whether mages could focus on the signs or paper. In the later of the forthcoming books about Alyiakal, however, I’ve addressed the “glass” communication issue/problem in a different way.

November 5th Question

I greatly enjoy the Grand Illusion series; more so than the others in your extensive works. Not that I haven’t bought, read and enjoyed almost all the others. But, when can I expect the next in the GI series? I read that the next 4 in the Recluse series have been finished. But the publishing schedule that I saw has them in the next 2 or 3 years. It used to be that I worried would favorite authors like Heinlein and Pournelle finish story arcs before they left us. I’m getting to the point where I have to worry about will I last long enough to see them advanced. Thanks from the owner of just about everything in your inventory since The Hammer of Darkness

P.S. A new Ghost novel would be nice but I see difficulties in continuing it!

In response to the last point first, I actually suggested another ghost novel to my publisher, but the sales of the last ghost book — Ghost of the White Nights — were so poor that Tor felt it wouldn’t work.

As for another book in the Grand Illusion series, that’s a very good possibility, but I’m not to the point where I feel comfortable in saying more than that at the moment.

October 7th Question

I will certainly understand if you do not choose to answer this, but as someone who is deeply afraid of the direction the United States appears to be lurching in, I wanted to ask if you had any particular organizations, politicians, or other entities that you believe have a chance of bringing the country back to a society where (small “d” and “r”) democratic and republican values are under less of an assault. I frequently feel lost and bewildered trying to make sense of who is actually useful, and who is merely marketing themselves in a way designed to appeal to us.

I wish I had a useful answer to your question, but so far as I’ve been able to discover, a great many of the organizations (I say a “great many” because there’s no way I can look into all of them) fall into one of several groups: those who are idealistically trying to find a solution, but clearly don’t understand the current system; those who are merely trying to cash in (as you mentioned): those who endorse a single issue as “the solution,” worthy as that cause may be; those who are essentially hate groups, ranging from thinly disguised to avowedly hate-mongering. There are also groups which attempt realistic analyses and present alternatives and who do understand the political sphere, such as Resources for the Future, but avoid getting involved in the political process.

Your question also inspired my latest blog, for which I thank you.

October 6th Question

At the beginning of Fall of Angels the universe for the “Winterlance” is a Science Fiction setting. Have you ever written any Science Fiction novels based in this universe?

Over the years I’ve been asked about this, but I don’t have any plans to write a science fiction novel in that universe. I do reserve the right to change my mind, but that’s where matters stand now.

October 4th Question

As a queer man, I was overjoyed to see non-heterosexual characters in your recent works. I believe representation is vitally important, especially for younger folks who are just getting into science fiction and fantasy. One of the draws of your writing is the world building (commerce/politics/gender dynamics) feels reasoned out. What brought you to include these characters?

As with many, if not most authors, I write what I know. Over the years, both my wife and I have known, worked with, and socialized with a number of non-heterosexuals. Because I’m decidedly heterosexual, I’ve refrained from writing from a non-heterosexual viewpoint, but, based on what I’ve observed and experienced, I’ve included such characters in a number of books where they seemed to fit, both in terms of the culture I depicted and the situation.

I was wondering if you have, or if you know of anyone who has art based on your novels for sale/trade? I have been looking for something for a little while now and have not been able to find anything.

I don’t know of any cover art for my books that is currently available. In some cases, the art was done digitally, as in the case of the “ghost” books and the SF covers by Dave Seeley, so there isn’t “hard copy” available. Darrell Sweet painted the first fifteen Recluce covers in acrylic, but his work was at one time very desired — and expensive. The painting that was used for the cover of The Magic of Recluce was offered for sale at $35,000 some fifteen years ago. Donato Giancola also painted all the covers for the Imager books and offered some for sale, but those were snapped up almost instantly. I have a few original covers, but they’ve not for sale.

September 29th Question

Are there any plans to get some older works published as Audiobooks? Forever Hero series would be one I am very interested in. Huge fan of that and all the Recluce and Spellsong books.

Actually, ALL of my backlist is available either from Amazon, Audible, or Tantor. I posted on this some time back, but it likely slipped by people.

September 28th Question

I just finished Contrarian: very enjoyable. Will there be more books in the Grand Illusion series?

There likely will be more books in The Grand Illusion, but it’s a bit early for me to say much. Any additional Grand Illusion book will likely have to follow the four Recluce books already in the production process.

September 27th Question

Do you have a say in how your books appear in print? Yesterday’s BBC news had an article about shrinkflation (diminishing chocolate bars for the same retail price). My nice new copy of Contrarian is nearly 100 pages longer in content, but nearly half an inch thinner. The paper is practically transparent! Given that we all like to reread your books, I’m worried about the number of times I will be able to enjoy it.

Unfortunately, I don’t have any say in how my books appear in print. At this point, I’m just grateful that Tor is still publishing me in hardcover. The costs of paper and printing continue to rise, and I’m told that there’s only one high-speed press in the U.S. capable of printing my books in hardcover. Because of these and other factors, publishers are printing books that are shorter, or, in my case, using thinner paper. They’re also downsizing the number of editors, and, at times, rejecting books that are too long to publish in physical print. I wouldn’t be surprised if more and more books become available only in ebook or downloadable audiobook format.

September 6th Question

Do you have any large print books?

No, none of my books are available in large-print format. All of my books, however, are now available in audiobook form.

From what I can tell from a brief survey and search, there are virtually no F&SF books in large print format. Large print fiction books appear to be available only for romances, women’s fiction, mysteries, and westerns. Why, I have no idea, except those are categories that generally sell in higher numbers than most F&SF.

August 28th Question

I saw that you were considering a roleplaying game on Recluse in 2004… did anything come of that?

Over the years, I’ve granted three separate outfits the option to develop a Recluce game of some sort. Nothing ever came of any of the options.

August 16th Question

When is your 4th book of the Grand Illusion series coming out?

After I finished writing Contrarian, I returned to writing in the Saga of Recluce. The story was a bit larger than I anticipated and encompasses four volumes. Since I just turned in the fourth book, it’s going to be a while before there are any more Grand Illusion books, and it’s too early to even guess at a date.